Back To You
I Like To Get My Loving When I Got It On My Mind
Little Miss Chief by the Pool
Little Miss Chief Reclined
Little Miss Chief Surprised
The Old Account
When He Comes

Mat Collishaw

Back To You
2003
video projection, wood, glass, iron
161.6 x 62.5 centimeters
Unique

In this piece, the sweet image of a bird contrasts with the imprisoning cage that surrounds it.

Mat Collishaw

I Like To Get My Loving When I Got It On My Mind
2003
180.2 x 168 centimeters
Unique

In 'I Like to Get My Loving When I got It on My Mind', the image of a peacock is projected on a dividing screen. From the formal similarity of use of the screen and the peacock's tail, a conceptual link is added in the game of undressing and revealing, hiding in order to be more suggestive, suggesting and showing to more effectively seduce, seducing to more effectively deceive.

Mat Collishaw

Little Miss Chief by the Pool
2003
color photograph, guilt frame
42.1 x 37.2 centimeters

Mat Collishaw

Little Miss Chief Reclined
2003
33 x 38 centimeters

Mat Collishaw

Little Miss Chief Surprised
2003
color photograph, guilt frame
32 x 37 centimeters

Mat Collishaw

The Old Account
2003
video projection, wood, glass, brass
217 x 45.2 centimeters
Unique

A scene from the film “Gone with the Wind” is projected on the clock dial of ‘Grandfather Clock' from the interior. We can see Big Ben from the window of the room where this scene is taking place. A very mild sound produced by the weak voice of a little girl, repeating “Daddy, daddy” like in a nightmare, and the unceasing tick-tock sound of the clock emphasizes the ambiguity and the oppressive character of the scene. The comforting image of the family clock contrasts with the ambivalency of the situation.

Mat Collishaw

When He Comes
2003
video projection, wood, glass, brass, horn
165 x 39 centimeters
Unique

Veritable memento mori , "When He Comes" gives the impression of a pedestal to life: a horn, placed on a table, supports a ball, inside of which the image of a blossoming flower is projected.