Nico Vascellari
I hear a Shadow
2011
bronze, iron, acids, three slide-projections (160 slides), sound system
430 x 210 centimeters
The monolith is illuminated by three projectors, which project alternately 160 slides reproducing the collages. In a kaleidoscopic effect, light and colors shroud the sculpture in as many sunsets, and draw the mountains' shadow on the wall.
Nico Vascellari
Untitled (Horizons)
2011
collage on magazine page, spray paint on wood and glass
36 x 28 centimeters
Unique
Nico VASCELLARI sees his collages as as many studies on light, and more specifically twilight, following for their production a pre-determined rule : each collage is made from one magazine, in which the artist cuts each page to keep only the monochromatic areas, that generally correspond to the background of images. He then glues the pages, like as many sedimented landscapes, creating multi-layers and multi-colored abstract compositions from which silhouettes sometimes stand out.
Nico Vascellari
Untitled (Horizons)
2011
collage on magazine page, spray paint on wood and glass
36 x 28 centimeters
Unique
Nico VASCELLARI sees his collages as as many studies on light, and more specifically twilight, following for their production a pre-determined rule : each collage is made from one magazine, in which the artist cuts each page to keep only the monochromatic areas, that generally correspond to the background of images. He then glues the pages, like as many sedimented landscapes, creating multi-layers and multi-colored abstract compositions from which silhouettes sometimes stand out.
Nico Vascellari
Untitled (Horizons)
2011
collage on magazine page, spray paint on wood and glass
36 x 28 centimeters
Unique
Nico VASCELLARI sees his collages as as many studies on light, and more specifically twilight, following for their production a pre-determined rule : each collage is made from one magazine, in which the artist cuts each page to keep only the monochromatic areas, that generally correspond to the background of images. He then glues the pages, like as many sedimented landscapes, creating multi-layers and multi-colored abstract compositions from which silhouettes sometimes stand out.
Nico Vascellari
Untitled (Horizons)
2011
collage on magazine page, spray paint on wood and glass
36 x 28 centimeters
Unique
Nico VASCELLARI sees his collages as as many studies on light, and more specifically twilight, following for their production a pre-determined rule : each collage is made from one magazine, in which the artist cuts each page to keep only the monochromatic areas, that generally correspond to the background of images. He then glues the pages, like as many sedimented landscapes, creating multi-layers and multi-colored abstract compositions from which silhouettes sometimes stand out.
Nico Vascellari
Untitled (Horizons)
2011
collage on magazine page, spray paint on wood and glass
36 x 28 centimeters
Unique
Nico VASCELLARI sees his collages as as many studies on light, and more specifically twilight, following for their production a pre-determined rule : each collage is made from one magazine, in which the artist cuts each page to keep only the monochromatic areas, that generally correspond to the background of images. He then glues the pages, like as many sedimented landscapes, creating multi-layers and multi-colored abstract compositions from which silhouettes sometimes stand out.
Nico Vascellari
Untitled (Horizons)
2011
collage on magazine page, spray paint on wood and glass
36 x 28 centimeters
Unique
Nico VASCELLARI sees his collages as as many studies on light, and more specifically twilight, following for their production a pre-determined rule : each collage is made from one magazine, in which the artist cuts each page to keep only the monochromatic areas, that generally correspond to the background of images. He then glues the pages, like as many sedimented landscapes, creating multi-layers and multi-colored abstract compositions from which silhouettes sometimes stand out.
Nico Vascellari
Untitled (Horizons)
2011
collage on magazine page, spray paint on wood and glass
36 x 28 centimeters
Unique
Nico VASCELLARI sees his collages as as many studies on light, and more specifically twilight, following for their production a pre-determined rule : each collage is made from one magazine, in which the artist cuts each page to keep only the monochromatic areas, that generally correspond to the background of images. He then glues the pages, like as many sedimented landscapes, creating multi-layers and multi-colored abstract compositions from which silhouettes sometimes stand out.
Nico Vascellari
Untitled (Horizons)
2011
collage on magazine page, spray paint on wood and glass
36 x 28 centimeters
Unique
Nico VASCELLARI sees his collages as as many studies on light, and more specifically twilight, following for their production a pre-determined rule : each collage is made from one magazine, in which the artist cuts each page to keep only the monochromatic areas, that generally correspond to the background of images. He then glues the pages, like as many sedimented landscapes, creating multi-layers and multi-colored abstract compositions from which silhouettes sometimes stand out.
Nico Vascellari
Untitled (Horizons)
2011
collage on magazine page, spray paint on wood and glass
36 x 28 centimeters
Unique
Nico VASCELLARI sees his collages as as many studies on light, and more specifically twilight, following for their production a pre-determined rule : each collage is made from one magazine, in which the artist cuts each page to keep only the monochromatic areas, that generally correspond to the background of images. He then glues the pages, like as many sedimented landscapes, creating multi-layers and multi-colored abstract compositions from which silhouettes sometimes stand out.
Nico Vascellari
Untitled (Horizons)
2011
collage on magazine page, spray paint on wood and glass
36 x 28 centimeters
Unique
Nico VASCELLARI sees his collages as as many studies on light, and more specifically twilight, following for their production a pre-determined rule : each collage is made from one magazine, in which the artist cuts each page to keep only the monochromatic areas, that generally correspond to the background of images. He then glues the pages, like as many sedimented landscapes, creating multi-layers and multi-colored abstract compositions from which silhouettes sometimes stand out.
Nico Vascellari
Untitled (Horizons)
2011
collage on magazine page, spray paint on wood and glass
36 x 28 centimeters
Unique
Nico VASCELLARI sees his collages as as many studies on light, and more specifically twilight, following for their production a pre-determined rule : each collage is made from one magazine, in which the artist cuts each page to keep only the monochromatic areas, that generally correspond to the background of images. He then glues the pages, like as many sedimented landscapes, creating multi-layers and multi-colored abstract compositions from which silhouettes sometimes stand out.
Nico Vascellari
Untitled (Horizons)
2011
collage on magazine page, spray paint on wood and glass
36 x 28 centimeters
Unique
Nico VASCELLARI sees his collages as as many studies on light, and more specifically twilight, following for their production a pre-determined rule : each collage is made from one magazine, in which the artist cuts each page to keep only the monochromatic areas, that generally correspond to the background of images. He then glues the pages, like as many sedimented landscapes, creating multi-layers and multi-colored abstract compositions from which silhouettes sometimes stand out.
Nico Vascellari
Untitled (Horizons)
2011
collage on magazine page, spray paint on wood and glass
36 x 28 centimeters
Unique
Nico VASCELLARI sees his collages as as many studies on light, and more specifically twilight, following for their production a pre-determined rule : each collage is made from one magazine, in which the artist cuts each page to keep only the monochromatic areas, that generally correspond to the background of images. He then glues the pages, like as many sedimented landscapes, creating multi-layers and multi-colored abstract compositions from which silhouettes sometimes stand out.
Nico Vascellari
Untitled (Horizons)
2011
collage on magazine page, spray paint on wood and glass
36 x 28 centimeters
Unique
Nico VASCELLARI sees his collages as as many studies on light, and more specifically twilight, following for their production a pre-determined rule : each collage is made from one magazine, in which the artist cuts each page to keep only the monochromatic areas, that generally correspond to the background of images. He then glues the pages, like as many sedimented landscapes, creating multi-layers and multi-colored abstract compositions from which silhouettes sometimes stand out.
Nico Vascellari
Untitled (Horizons)
2011
collage on magazine page, spray paint on wood and glass
36 x 28 centimeters
Unique
Nico VASCELLARI sees his collages as as many studies on light, and more specifically twilight, following for their production a pre-determined rule : each collage is made from one magazine, in which the artist cuts each page to keep only the monochromatic areas, that generally correspond to the background of images. He then glues the pages, like as many sedimented landscapes, creating multi-layers and multi-colored abstract compositions from which silhouettes sometimes stand out.
Nico Vascellari
Untitled (Horizons)
2011
collage on magazine page, spray paint on wood and glass
36 x 28 centimeters
Unique
Nico VASCELLARI sees his collages as as many studies on light, and more specifically twilight, following for their production a pre-determined rule : each collage is made from one magazine, in which the artist cuts each page to keep only the monochromatic areas, that generally correspond to the background of images. He then glues the pages, like as many sedimented landscapes, creating multi-layers and multi-colored abstract compositions from which silhouettes sometimes stand out.
Nico Vascellari
Untitled (Horizons)
2011
collage on magazine page, spray paint on wood and glass
36 x 28 centimeters
Unique
Nico VASCELLARI sees his collages as as many studies on light, and more specifically twilight, following for their production a pre-determined rule : each collage is made from one magazine, in which the artist cuts each page to keep only the monochromatic areas, that generally correspond to the background of images. He then glues the pages, like as many sedimented landscapes, creating multi-layers and multi-colored abstract compositions from which silhouettes sometimes stand out.
Nico Vascellari
Untitled (Horizons)
2011
collage on magazine page, spray paint on wood and glass
36 x 28 centimeters
Unique
Nico VASCELLARI sees his collages as as many studies on light, and more specifically twilight, following for their production a pre-determined rule : each collage is made from one magazine, in which the artist cuts each page to keep only the monochromatic areas, that generally correspond to the background of images. He then glues the pages, like as many sedimented landscapes, creating multi-layers and multi-colored abstract compositions from which silhouettes sometimes stand out.
Nico Vascellari
Untitled (Horizons)
2011
collage on magazine page, spray paint on wood and glass
36 x 28 centimeters
Unique
Nico VASCELLARI sees his collages as as many studies on light, and more specifically twilight, following for their production a pre-determined rule : each collage is made from one magazine, in which the artist cuts each page to keep only the monochromatic areas, that generally correspond to the background of images. He then glues the pages, like as many sedimented landscapes, creating multi-layers and multi-colored abstract compositions from which silhouettes sometimes stand out.
Nico Vascellari
Untitled (Horizons)
2011
collage on magazine page, spray paint on wood and glass
36 x 28 centimeters
Unique
Nico VASCELLARI sees his collages as as many studies on light, and more specifically twilight, following for their production a pre-determined rule : each collage is made from one magazine, in which the artist cuts each page to keep only the monochromatic areas, that generally correspond to the background of images. He then glues the pages, like as many sedimented landscapes, creating multi-layers and multi-colored abstract compositions from which silhouettes sometimes stand out.
Nico Vascellari
Untitled (Horizons)
2011
collage on magazine page, spray paint on wood and glass
36 x 28 centimeters
Unique
Nico VASCELLARI sees his collages as as many studies on light, and more specifically twilight, following for their production a pre-determined rule : each collage is made from one magazine, in which the artist cuts each page to keep only the monochromatic areas, that generally correspond to the background of images. He then glues the pages, like as many sedimented landscapes, creating multi-layers and multi-colored abstract compositions from which silhouettes sometimes stand out.
Nico Vascellari
Untitled (Horizons)
2011
collage on magazine page, spray paint on wood and glass
36 x 28 centimeters
Unique
Nico VASCELLARI sees his collages as as many studies on light, and more specifically twilight, following for their production a pre-determined rule : each collage is made from one magazine, in which the artist cuts each page to keep only the monochromatic areas, that generally correspond to the background of images. He then glues the pages, like as many sedimented landscapes, creating multi-layers and multi-colored abstract compositions from which silhouettes sometimes stand out.
Nico Vascellari
Untitled (Horizons)
2011
collage on magazine page, spray paint on wood and glass
36 x 28 centimeters
Unique
Nico VASCELLARI sees his collages as as many studies on light, and more specifically twilight, following for their production a pre-determined rule : each collage is made from one magazine, in which the artist cuts each page to keep only the monochromatic areas, that generally correspond to the background of images. He then glues the pages, like as many sedimented landscapes, creating multi-layers and multi-colored abstract compositions from which silhouettes sometimes stand out.
Nico Vascellari
Untitled (Horizons)
2011
collage on magazine page, spray paint on wood and glass
36 x 28 centimeters
Unique
Nico VASCELLARI sees his collages as as many studies on light, and more specifically twilight, following for their production a pre-determined rule : each collage is made from one magazine, in which the artist cuts each page to keep only the monochromatic areas, that generally correspond to the background of images. He then glues the pages, like as many sedimented landscapes, creating multi-layers and multi-colored abstract compositions from which silhouettes sometimes stand out.
Nico Vascellari
Untitled (Horizons)
2011
collage on magazine page, spray paint on wood and glass
36 x 28 centimeters
Unique
Nico VASCELLARI sees his collages as as many studies on light, and more specifically twilight, following for their production a pre-determined rule : each collage is made from one magazine, in which the artist cuts each page to keep only the monochromatic areas, that generally correspond to the background of images. He then glues the pages, like as many sedimented landscapes, creating multi-layers and multi-colored abstract compositions from which silhouettes sometimes stand out.
Nico Vascellari
Untitled (Horizons)
2011
collage on magazine page, spray paint on wood and glass
36 x 28 centimeters
Unique
Nico VASCELLARI sees his collages as as many studies on light, and more specifically twilight, following for their production a pre-determined rule : each collage is made from one magazine, in which the artist cuts each page to keep only the monochromatic areas, that generally correspond to the background of images. He then glues the pages, like as many sedimented landscapes, creating multi-layers and multi-colored abstract compositions from which silhouettes sometimes stand out.
Nico Vascellari
Untitled (Horizons)
2011
collage on magazine page, spray paint on wood and glass
36 x 28 centimeters
Unique
Nico VASCELLARI sees his collages as as many studies on light, and more specifically twilight, following for their production a pre-determined rule : each collage is made from one magazine, in which the artist cuts each page to keep only the monochromatic areas, that generally correspond to the background of images. He then glues the pages, like as many sedimented landscapes, creating multi-layers and multi-colored abstract compositions from which silhouettes sometimes stand out.
Nico Vascellari
Untitled (Horizons)
2011
collage on magazine page, spray paint on wood and glass
36 x 28 centimeters
Unique
Nico VASCELLARI sees his collages as as many studies on light, and more specifically twilight, following for their production a pre-determined rule : each collage is made from one magazine, in which the artist cuts each page to keep only the monochromatic areas, that generally correspond to the background of images. He then glues the pages, like as many sedimented landscapes, creating multi-layers and multi-colored abstract compositions from which silhouettes sometimes stand out.
Nico Vascellari
Untitled (Horizons)
2011
collage on magazine page, spray paint on wood and glass
36 x 28 centimeters
Unique
Nico VASCELLARI sees his collages as as many studies on light, and more specifically twilight, following for their production a pre-determined rule : each collage is made from one magazine, in which the artist cuts each page to keep only the monochromatic areas, that generally correspond to the background of images. He then glues the pages, like as many sedimented landscapes, creating multi-layers and multi-colored abstract compositions from which silhouettes sometimes stand out.
Nico Vascellari
Untitled (Horizons)
2011
collage on magazine page, spray paint on wood and glass
36 x 28 centimeters
Unique
Nico VASCELLARI sees his collages as as many studies on light, and more specifically twilight, following for their production a pre-determined rule : each collage is made from one magazine, in which the artist cuts each page to keep only the monochromatic areas, that generally correspond to the background of images. He then glues the pages, like as many sedimented landscapes, creating multi-layers and multi-colored abstract compositions from which silhouettes sometimes stand out.
Nico Vascellari
Untitled (Horizons)
2011
collage on magazine page, spray paint on wood and glass
36 x 28 centimeters
Unique
Nico VASCELLARI sees his collages as as many studies on light, and more specifically twilight, following for their production a pre-determined rule : each collage is made from one magazine, in which the artist cuts each page to keep only the monochromatic areas, that generally correspond to the background of images. He then glues the pages, like as many sedimented landscapes, creating multi-layers and multi-colored abstract compositions from which silhouettes sometimes stand out.
Nico Vascellari
Untitled (Horizons)
2011
collage on magazine page, spray paint on wood and glass
36 x 28 centimeters
Unique
Nico VASCELLARI sees his collages as as many studies on light, and more specifically twilight, following for their production a pre-determined rule : each collage is made from one magazine, in which the artist cuts each page to keep only the monochromatic areas, that generally correspond to the background of images. He then glues the pages, like as many sedimented landscapes, creating multi-layers and multi-colored abstract compositions from which silhouettes sometimes stand out.
Nico Vascellari
Untitled (Horizons)
2011
collage on magazine page, spray paint on wood and glass
36 x 28 centimeters
Unique
Nico VASCELLARI sees his collages as as many studies on light, and more specifically twilight, following for their production a pre-determined rule : each collage is made from one magazine, in which the artist cuts each page to keep only the monochromatic areas, that generally correspond to the background of images. He then glues the pages, like as many sedimented landscapes, creating multi-layers and multi-colored abstract compositions from which silhouettes sometimes stand out.
Nico Vascellari
Untitled (Horizons)
2011
collage on magazine page, spray paint on wood and glass
36 x 28 centimeters
Unique
Nico VASCELLARI sees his collages as as many studies on light, and more specifically twilight, following for their production a pre-determined rule : each collage is made from one magazine, in which the artist cuts each page to keep only the monochromatic areas, that generally correspond to the background of images. He then glues the pages, like as many sedimented landscapes, creating multi-layers and multi-colored abstract compositions from which silhouettes sometimes stand out.
Nico Vascellari
Untitled (Horizons)
2011
collage on magazine page, spray paint on wood and glass
36 x 28 centimeters
Unique
Nico VASCELLARI sees his collages as as many studies on light, and more specifically twilight, following for their production a pre-determined rule : each collage is made from one magazine, in which the artist cuts each page to keep only the monochromatic areas, that generally correspond to the background of images. He then glues the pages, like as many sedimented landscapes, creating multi-layers and multi-colored abstract compositions from which silhouettes sometimes stand out.
Nico Vascellari
Untitled (Horizons)
2011
collage on magazine page, spray paint on wood and glass
36 x 28 centimeters
Unique
Nico VASCELLARI sees his collages as as many studies on light, and more specifically twilight, following for their production a pre-determined rule : each collage is made from one magazine, in which the artist cuts each page to keep only the monochromatic areas, that generally correspond to the background of images. He then glues the pages, like as many sedimented landscapes, creating multi-layers and multi-colored abstract compositions from which silhouettes sometimes stand out.
Nico Vascellari
Untitled (Horizons)
2011
collage on magazine page, spray paint on wood and glass
36 x 28 centimeters
Unique
Nico VASCELLARI sees his collages as as many studies on light, and more specifically twilight, following for their production a pre-determined rule : each collage is made from one magazine, in which the artist cuts each page to keep only the monochromatic areas, that generally correspond to the background of images. He then glues the pages, like as many sedimented landscapes, creating multi-layers and multi-colored abstract compositions from which silhouettes sometimes stand out.
Nico Vascellari
Untitled (Horizons)
2011
collage on magazine page, spray paint on wood and glass
36 x 28 centimeters
Unique
Nico VASCELLARI sees his collages as as many studies on light, and more specifically twilight, following for their production a pre-determined rule : each collage is made from one magazine, in which the artist cuts each page to keep only the monochromatic areas, that generally correspond to the background of images. He then glues the pages, like as many sedimented landscapes, creating multi-layers and multi-colored abstract compositions from which silhouettes sometimes stand out.
Nico Vascellari
Untitled (Horizons)
2011
collage on magazine page, spray paint on wood and glass
36 x 28 centimeters
Unique
Nico VASCELLARI sees his collages as as many studies on light, and more specifically twilight, following for their production a pre-determined rule : each collage is made from one magazine, in which the artist cuts each page to keep only the monochromatic areas, that generally correspond to the background of images. He then glues the pages, like as many sedimented landscapes, creating multi-layers and multi-colored abstract compositions from which silhouettes sometimes stand out.
Nico Vascellari
Untitled (Horizons)
2011
collage on magazine page, spray paint on wood and glass
36 x 28 centimeters
Unique
Nico VASCELLARI sees his collages as as many studies on light, and more specifically twilight, following for their production a pre-determined rule : each collage is made from one magazine, in which the artist cuts each page to keep only the monochromatic areas, that generally correspond to the background of images. He then glues the pages, like as many sedimented landscapes, creating multi-layers and multi-colored abstract compositions from which silhouettes sometimes stand out.
