Ayan Farah
Alvar
2013
180 x 130 centimeters
Unique
Ayan FARAH's large fabrics stretched on frame result from a long process of transformation and decaying, of which they bear the traces deeply into their material. Buried in the ground, exposed to sun, wind and rain, their colors have faded or revealed. Using fabrics from her daily environment (mostly bedding or clothing), the artist plays with their slight transparency that reveals the stretchers that supports them. Their resulting subtle shades of black and white are sometimes brightened with acrylic or other less traditional staining techniques (vinegar, ash, sea salt ... ). Designed by natural hazards, Ayan FARAH's works evokes the stones exposed in China for their marbling that sometimes take the form of a landscape.
Ayan Farah
Ivona - Riska (Coal)
2013
170 x 120 centimeters
Unique
Ayan FARAH's large fabrics stretched on frame result from a long process of transformation and decaying, of which they bear the traces deeply into their material. Buried in the ground, exposed to sun, wind and rain, their colors have faded or revealed. Using fabrics from her daily environment (mostly bedding or clothing), the artist plays with their slight transparency that reveals the stretchers that supports them. Their resulting subtle shades of black and white are sometimes brightened with acrylic or other less traditional staining techniques (vinegar, ash, sea salt ... ). Designed by natural hazards, Ayan FARAH's works evokes the stones exposed in China for their marbling that sometimes take the form of a landscape.
Ayan Farah
Neve
2013
180 x 130 centimeters
Unique
Ayan FARAH's large fabrics stretched on frame result from a long process of transformation and decaying, of which they bear the traces deeply into their material. Buried in the ground, exposed to sun, wind and rain, their colors have faded or revealed. Using fabrics from her daily environment (mostly bedding or clothing), the artist plays with their slight transparency that reveals the stretchers that supports them. Their resulting subtle shades of black and white are sometimes brightened with acrylic or other less traditional staining techniques (vinegar, ash, sea salt ... ). Designed by natural hazards, Ayan FARAH's works evokes the stones exposed in China for their marbling that sometimes take the form of a landscape.
